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Livraison gratuite (voir cond.). Cinderella’s father noticeably forms part of this group of well-wishers, whilst we also note Sybil’s absence amongst them. Matthew Bourne's Cinderella is a thrilling, evocative and modern love story told in dance. Although composed as a fairy-tale piece, in the style of the great Tchaikovsky ballets, such as “The Sleeping Beauty”, it has Prokofiev’s particular 20th century musical personality stamped all over it. They must rise above the chaos around them to finally live happily ever after. Matthew Bourne’s Cinderella enchants at the Ahmanson: EW review. An opportunity presents itself to them when they find out Cinderella was injured in the Blitz and is being treated at a local hospital. Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. My parents, living streets away from each other in the East End, survived the nightly onslaught, I’m happy to say, and they both loved to tell me stories from this time; the excitement, the fear and the friendships made. At the beginning of Act Three we also see the angel casting the ‘shadow of death, as he singles out people on the streets of London whose time is up. Matthew Bourne's interpretation of the classic fairy tale, has, at its heart, a true war-time romance. Yet, we also see how those under her power were eventually repelled by her depravity, and eventually became to be reconciled with Cinderella. PRIVACY | Are they conscientious objectors who have refused to participate as a peaceful protest? Los Angeles, CA-Matthew Bourne's Adventures in Motion Pictures, despite the strange but aptly clever name, is possibly Britain's best- established contemporary dance company. The show had its Japanese premiere at the Tokyu Theatre Orb on 3 October 2018. Embedded deep within all of these diametric and opposing themes, is the idea of conflict: conflict of self, conflict of duty versus volition, conflict of head versus heart, conflict of morals, and of course all set against the backdrop of the conflict of war. Awards & Reviews. By Maureen Lee Lenker. There is an almost cinematic feel to the performance which, in true Matthew Bourne style, is certainly not the traditional fairytale story made famous by Disney. Confusion turns to shock and mild amusement, and then quickly to anger and perhaps most destructively of all, to jealousy. Matthew Bourne’s Cinderella returned to Sadler’s Wells in 2017 for New Adventures’ 16th Christmas Season from 9 Dec 2017 – 27 Jan 2018, followed by a major UK and International Tour until March 2019. He has authored several books on publicity and marketing for amateur theatre groups. So too, do we find a very different looking and acting Cinderella. Matthew Bourne’s interpretation of this classic fairy tale has, at its heart, a true war-time romance. My Cinderella does not tell this exact story, by any means, but its fanciful, and particularly English whimsy and romance is, I hope, captured in our story of wartime love and conflict. This must be the most heartwarming and sophisticatedly rewarding Christmas show in London, filled with a huge love of the city and a moving homage to humanity in wartime. This is essentially a new production created to tour throughout the UK and beyond. Through the family relationships that play out in Cinderella we witness all varieties of human emotions laid bare – fear, anger, pride, envy, frustration, grief, joy, optimism and of course, love. Look out also for glimpses of other classic movies in the production, such as Celia Johnson and Trevor Howard from “Brief Encounter” (1945) in our final Railway station scene, and the Prostitutes from the Vivien Leigh and Robert Taylor classic “Waterloo Bridge” (1940) in our London Underground sequence. Earlier this year, our regular conductor, the brilliant Brett Morris, guided an 82-piece orchestra, through a beautiful and highly theatrical new interpretation of the score, which will be heard in the theatre much like you would hear a great score at the cinema. The show is also filled with antagonistic themes such as: Journeying between the extremities of each of these, we explore the fragility of human existence, and the reality of life. Set in London during the Second World War, Cinderella’s “prince” is a dashing RAF pilot. Bourne stays true to many elements of the fairy-tale, such as the poor treatment of Cinderella by her evil stepmother and sisters, the lavish ball and of course, the lost shoe; however, he … All around her young men and women separating off in couples as they set about building new futures for themselves post-war. Darkly romantic in tone, it speaks of a period when time was everything, love was found and lost suddenly and the world danced as if there was no tomorrow. A chance meeting results in a magical night for ‘Cinderella’ and her dashing young RAF pilot, together for just long enough to fall in love before being parted by the horrors of the Blitz. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long … read more This was in no small part due to the fact that Prokofiev’s artist son, Oleg, had asked if he could come to rehearsals and sketch the dancers. More. When I first created the piece in 1997, I attempted to choreograph the entire Three Act score with no re-ordering or cuts. A chance meeting results in a magical night for ‘Cinderella’ and her dashing young RAF pilot, together for just long enough to fall in love before being parted by the horrors of the Blitz. Go behind the scenes of Matthew Bourne's Cinderella and find out more about our award-winning production. and the magic and colour is added through the lighting designs of Neil Austin. PRESS/MEDIA | © 2021 New Adventures Charity | Registered Charity No. My guiding light with this production has always been the incredible Powell and Pressburger classic “A Matter Of Life and Death” (1946) starring David Niven and Kim Hunter. I must also pay tribute to one of my favourite 40’s actresses, Joan Crawford, who inspired Lez Brotherston and myself to create Sybil, our glamorous Stepmother. Whilst she distracts herself from the goings-on around her with her novel, we see the male angel figure appear behind her and gently place a hand on her shoulder. Even more than Christopher Bruce's more prestigious, and far older, Rambert Dance Company, Adventures is the … Sybil ostracises her step-daughter through differential treatment. Tell us about the innovative idea of presenting this production in “Surround-Sound”? The crucial incident for us is the famous bombing of the legendary Café de Paris on 8th March 1941. Do you have your own family connections? We notice that Cinderella’s two step-sisters are more lavishly dressed, and we suspect they have a much easier life. In Act One we meet a family governed by Sybil, the dominant matriarch-figure, whose passionate dislike of Cinderella encourages the others to join in with the cruel and harsh treatment she dishes out. Save FB Tweet. Is this the wishes of Sybil the controlling step-mother? I felt that it was, and the more I delved into the Cinderella story, it seemed to work so well in the wartime setting. The most striking aspect of this re-telling of the Cinderella story is the setting. The pair fall in love but are parted by the horrors of the blitz. A reinterpretation of the classic fairy tale, it features heart-stopping choreography and vivid, truthful characters. 06548321‍. Originally mounted in 1997 but recreated as a completely fresh production in 2017, this is one of New Adventures' most popular and beloved creations. We watch as her father resigns himself to a position of less power, due in part to the deterioration of his health, and in part due to the vehemence with which the woman he married treats his daughter. Time, and the preciousness of it, is a key element that is rooted throughout the performance. Family is one of the key themes in the original version of Cinderella, as well as in Matthew Bourne’s version. Although, I was wary of making any changes to his Fathers music, whilst he was in the room with us, he, of course, turned out to be a delightful man, full of enthusiasm for what we were doing, even saying how much his Father would have loved our interpretation. When invitations arrive for the ball, Sybil hands one out to each member of the family, except Cinderella. TICKETING PARTNERS | OUR RATING SYSTEM. Matthew Bourne has converted a delightful fairy tale into a story with the stark realism of the 1940 London Blitz. What a stunning show Matthew Bourne has created in his Blitz-era Cinderella - truly a magical ride created from what was in its original 1997 form a pumpkin waiting to be transformed. OLIVIER AWARDS 1998 … Reappearing on her own Sybil manages to enter Cinderella’s room and attempts to suffocate her with a pillow, before being stopped by the intervention of a quick-acting doctor in a white coat, who also appears to be Cinderella’s protector, the male angel figure. In Act Two we find the family and their partners at the ball. I spoke to our sound designer, Paul Groothius, on how we might achieve this and he suggested that we present the production in surround sound. In essence he is saved by the power of love. As Sybil takes purposeful actions to derail the growing connection these two young-people have for one another, we wonder whether love will win through. True, it has Grand Waltzes, Fairy variations, mazurka’s and “national” dances, in the manner of Tchaikovsky’s most famous ballet works, but lurking beneath the fairy-tale magic, there beats a darker heart with real emotions and dramatic longing. This character appears in stark contrast to be very much alone. February 07, 2019 at 07:05 PM EST Advertisement. We see characters spurred on by hope, whilst at the same time conquering their inner fears. Matthew Bourne’s CINDERELLA is also unappreciated and unloved by her step-family and dreams of a happier and better life. We see Cinderella’s ability to form successful bonds with people being put at the mercy of family members who do not have her best interests at heart. And there are also 3 obnoxious step … THE EDITORIAL TEAM | Coming to the Digital Stage: Matthew Bourne's Cinderella, which last played the Ahmanson Theatre in 2019, joins our Digital Stage lineup for five performances only from January 15–17, 2021. Photos & Videos. At the end of Act Two as the ballroom breaks apart from the attack from enemy bombs, we see him as a manipulator of time. Matthew Bourne's Cinderella – review Sadler's Wells, London ‘A big, all-heart performance’: Kerry Biggin in the title role with Sam Archer in Matthew Bourne's Cinderella at Sadler's Wells. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Setting the story in war-time London amidst the Blitz acts as a consistent reminder to us about the temporal nature of existence. Four of the most beloved New Adventures productions–Matthew Bourne’s Swan Lake, The Car Man, Cinderella, and Romeo and Juliet–are available on demand in rotation through April 4.Three of the productions have never been seen on stage in New York. 2 AN INTRODUCTION TO MATTHEW BOURNE’S CINDERELLA. Feigning a concerned family, they try to make their way to Cinderella’s bedside. This simple act reminds us about fate, and begs us to question how much, or little, we are in control of our own destiny. We see people going about their day to day lives whilst caught up in the midst of battle, and we speculate on how this impacts their view of life. Bourne has never been a man for messages, but Cinderella’s theme of love lost and found during wartime has a comforting resonance in our own anxious era. CONTACT | On this particular night, the club received a direct hit, killing or seriously injuring nearly 100 dancing couples, cabaret artistes and staff, including the 26 year old bandleader, Ken “Snake-hips” Johnson. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. Email. In that moment, as she senses something and looks up from the pages of her book, we see that something different might be on the horizon for this individual. Matthew Bourne's Cinderella returned to Sadler’s Wells in 2017 for New Adventures' 16th Christmas Season from 9 Dec 2017 - 27 Jan 2018, followed by a major UK and International Tour, across Asia and the US, until March 2019. Amazon.fr - Achetez Matthew Bourne's Cinderella à petit prix. This reflects the classic concept of good winning over evil. Even though the events depicted in Cinderella happened over 75 years ago, the Blitz experience will still resonate with many audience members as part of their family history. One of Cinderella’s step-brothers taunts her sexually, and whilst this is brushed off by other family members as playful, we see a more threatening and sinister message in his behaviour. It is noticeable that the young adults in Cinderella’s family are not dressed as service men and women, like the majority of their counterparts. It beautifully captures the realism of our “darkest hour” along with the escapism and glamour of Hollywood. As I have said, my original idea to create this Blitz Cinderella came from the particular power, foreboding and magic of Prokofiev’s score. By leaving the family home Cinderella herself conquers her inner fears, propelled by the aspiration of finding a better life for herself. 1125342 | Company No. Your love of classic films is well known. Get to know some of the creative and technical minds behind the production, explore the plot and themes of the show in more depth, and hear how the dancers find their characters. Why did you choose to set the world’s most famous fairy tale during the London Blitz in 1940? Matthew Bourne’s interpretation of this classic fairy tale has, at its heart, a true war-time romance. Does it refer to any actual incidents that took place in London at the time? The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. Has the concept changed substantially for this new production? Matthew Bourne’s productions are known for their fresh and intriguing twist on classics. Here we see tenderness, affection and an enjoyment of one another that we had not witnessed previously, and we feel there has been a genuine sea-change in the relationships between Cinderella and her family members. No comedy here, they have only a minor role. How historically accurate is your “Blitz” Cinderella. Add to this the sounds and atmosphere of war-torn London and we have a thrilling aural as well as visual performance. In other Cinderellas the two step-sisters provide the comic relief. This field is for validation purposes and should be left unchanged. At the end of Act 1 Cinderella and the Angel briefly leave the stage before returning together in a motorbike and sidecar. ABOUT | Matthew Bourne transforms the classic fairy tale into a wartime romance with a twist of Hollywood glamour. Douglas Mayo has had a life long love affair with musical theatre. Cast & Creatives . It soon becomes clear that he has cheated death and the Heavenly agents and Angels have made a mistake. Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. Using the second world war as a traumatic, ships-in-the-night backdrop is inspired and Bourne’s dancers are once again on top of their game Fantasy and reality … Ashley Shaw as Cinderella … The “war-time” setting has obviously been retained but our original production has been completely lost, and Lez and I have had a chance to take a fresh look at the piece from every angle. Our magical Act Two bombed ballroom, with its ghostly dancing couples and the haunting waltzes of Prokofiev, owes much to this tragic night. The Americans, however, did not enter the war until the beginning of 1942. Pinterest. At the very end, we see a young woman sitting at a table reading a book. Now they are all gone, but I hope that, the spirit and courage of not just my family, but of everyone who made sacrifices, or who found or lost love during this time are captured in this piece, which has been made in tribute to them. Bourne’s Cinderella, set to Prokofiev’s score, had its world premiere in London in 1997 and sets the story amid the chaos of the Second World War. Walking into the theater, patrons are greeted with signs that warn of air raid sirens. The family gradually come to notice that this beautiful woman is familiar to them, and they begin to realise this ‘belle of the ball’ is none other than Cinderella. Lez is always very thorough when it comes to period designs and therefore our costume designs are a mix of the everyday wear of ordinary Londoners and servicemen and women, as well as the more flamboyant designs of 1940’s movie stars. As the rest of the family rush in behind him, we see that they too are shocked by what they have seen, and that they had not anticipated Sybil going so far in her vendetta against Cinderella. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the Blitz.. Niven’s character, Peter Carter, an RAF Pilot, miraculously survives almost certain death when his plane crashes into the sea. Thwarted by hospital staff the family give-up, except Sybil. We see at the end of the show, as Cinderella and her pilot are about to board a train to begin a new life together, that Cinderella’s family have come to bid them farewell. Matters of life and death are raised consistently throughout the show, as we witness the horrors of the bombings, the appearance of babies, the poor health of Cinderella’s father, the devastation at the Café de Paris, and of course, the attempt on Cinderella’s life by her own stepmother. We journey with these characters as their own personalities evolve over the course of time. In Matthew's Cinderella we see Cinderella riding off to the ball with the Angel in a Motorbike and Sidecar. Cinderella herself is central to this, and the difficult relationship she has with her harsh and manipulative stepmother, Sybil, influences all the other connections she has with those around her. I wanted both the power of a full orchestra, along with the sounds and feelings of a full cinematic experience. I dedicated the original production of Cinderella to my grandparents, who kept their families together, in London, during the Blitz. Whilst the idea of leaving her father behind, whom she loves dearly is a concern for Cinderella, she has also feels unsupported by him, and so with a heavy heart she flees her tormentors. This leads to Sybil and her heavily influenced cohort seeking Cinderella’s downfall. I first fell in love with Prokofiev’s score through watching Frederick Ashton’s version of the ballet for The Royal Ballet. We understand that the angel plays some part in the fate of the people he comes into contact with. These are the features of Prokofiev’s music that keep you coming back for more and which insinuate their way inside you with every listening. We consider the fine-lines between mortality and demise; and float somewhere between actuality and potentiality whilst the Angel steers us to consider past lives, current lives, and possible future lives. To create that Cinema experience we felt that Cinderella was the production on which to experiment with this exciting idea. The accumulative distress caused to Cinderella by the behavior of those around her, eventually gives her no option but to leave. Set in London during World War II, this interpretation of the classic fairy tale has a wartime romance at its heart. Was this dark period in our history, somehow captured within the music? About Matthew Bourne’s Cinderella Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. Even Cinderella’s relationship with the pilot is impacted by Sybil’s disdain for her. ADVERTISE | It is designed very much like a silver screen classic in Black and White (and Grey!) To inaugurate the new year, Matthew Bourne’s New Adventures Company returned to the Kennedy Center with a new production of his popular retelling of Cinderella. Set in London during the Second World War, the drama features Cinderella and a dashing young RAF pilot. Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. The following article and podcast were originally published ahead of our Ahmanson run. Official trailer for Matthew Bourne's Cinderella now touring the UK ‘A valentine to the power of love’ LA Times ‘British dance’s runaway success story’ The Observer ‘A terrifically… The collection includes footage of "The Red Shoes," "The Car Man" (2000), "Cinderella" (1997) and "Romeo and Juliet" (2019), all never-before-seen in Korea. We both figured that much of our audience are so used to the best where sound is concerned; both at home, with the new generation of HD TV’s, at the Cinema, and even watching musical theatre and arena concerts. Gone are the drab grey clothes, and the glasses, and in their place, is a sumptuous bejeweled gown, make-up and a chic and fashionable hair-do. INTERVIEW: Matthew Bourne Talks About Cinderella Douglas Mayo 24th March 2018 Features, Interviews, Touring Sir Matthew Bourne talks about New Adventures and their re-telling of the classic story Cinderella which is touring the UK. We do have a GI American soldier character called “Buster”, who I couldn’t resist putting in for the sake of variety. We see that Cinderella is isolated within the family home, and tormented by the people around her – something that is actively and overtly encouraged by Sybil. We also understand the positive message of change, as we see by the end of the show, that many of the family members that had treated Cinderella so poorly have grown kinder. It represents Cinderella’s dream, as well as her nightmare. The show is full of complex, and often quite challenging, personal relationships between the characters. We witness people falling in love, getting engaged to be married very swiftly and we suspect this is because life feels more precious when viewed from the bombed-out streets of London. I was also drawn to its cinematic quality and how this related to the films that were inspiring the project. Prokofiev’s Cinderella was premiered at the Bolshoi in 1946 and Ashton’s much performed version followed in 1948, but I was intrigued to hear that Prokofiev had actually written the score during the Second World War, and this got me thinking. Family, conflict and time, as well as archetypal literary motifs such as ‘life and death’, all play a role in this story. Our “Angel” is also male, rather than the usual “Fairy Godmother”, but he is based more on Cary Grant (“The Bishops Wife” 1947) and Fred Astaire, who played a dancing angel on several occasions. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. We aren’t sure what the reasons are, but this separation does invite us to think about morality, allegiance, and obligation. We have tried to be as accurate as possible and Lez Brotherston, the company and I have spent many hours researching the period and characters through old movies, documentaries and public information films. So captivating are the opening scenes of Sir Matthew Bourne’s latest retelling of Cinderella, that the audience could be forgiven for forgetting that they are at the ballet at all. You can Update Your Preferences or Unsubscribe at any time by clicking the link in the footer of any email we send you. We wonder whether it is Cinderella’s close relationship to her father, that has incited envy in Sybil, thus causing her to be so volatile towards her. He hovers between life and death, but guided by a male guardian Angel, and the woman he loves, he is given a second chance. Propelling us forward, and reminding us that all of us have a finite time upon the earth, is time. Sybil’s actions have been so abhorrent that her family now take Cinderella’s side, separating themselves from Sybil and her wickedness. Your regular collaborator, designer, Lez Brotherston, won an Olivier Award for his original Cinderella designs in 1997. JOIN THE TEAM | Matthew Bourne's Cinderella Ahmanson Theatre April 7-May 23, 1999. The male angel helps to define this more clearly for us since, he not only appears as protective-figure to Cinderella, but also concurrently acts as an ‘angel of death’. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. But luckily for Korean audiences, the LG Arts Center will present the "Matthew Bourne Collection" on Naver TV every Friday and Saturday throughout March. A reinterpretation of the classic fairy tale, it features heart-stopping choreography, vivid, truthful characters, and is one of New Adventures’ most popular and beloved creations. I have since made a few small cuts and revisions, to help our story, but am proud to say that our Act Three remains completely intact, full of wonderful music that Ashton had cut from his famous version. Whilst the original story has been reimagined for modern audiences, the core themes of this classic tale remain at the core of the New Adventures version. 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