mats ek works
As a young man, Ek initially trained in dance with Lilian Karina and Donya Feuer, but shifted to drama, which he studied at the Marieborg Folks College. In some of the choreographer’s works there are some clear references to literature. Forsythe and Sylvie Guillem go way back – nearly a quarter of a century – and his understanding of her unique gifts runs deep. Clear examples can be found in Giselle and Swan Lake: The two male peasants’ comic duet in front of Albrecht’ fiancée just before the arrival of the aristocratic and the end of the act in Giselle. In some of the choreographer’s works there are some clear references to literature. Rambert. We get a lot of heat ’, The cross-border pitfalls of ‘working from anywhere’, What a bleak AI future tells us about how to work now, The vanishing billionaire: how Jack Ma fell foul of Xi Jinping, Whisky world at war as tech allows spirits to be ‘aged’ instantly, Ground rules: the seeds to sow now for summer blooms, Sir David Spiegelhalter: ‘Risk is a very loaded term’. Very interesting is the constant research of opposition between inwards and outwards movements. “A lonely, somewhat weaker than the-average-Prince-Siegfried, who questions his sexuality (think Oedipus complex) and his mother’s open issues in attempting to marry him to someone just like herself. KemaNord Stenungsund 1975-1979 .Göteborgs Hamn 1979-2002. Widely acclaimed, «Smoke» was initially not developed for the stage, but for the film with Sylvie Guillem about contemporary choreography «Evidentia». However in reworking ballet classics, Ek likes to keep the characters alive so as to always provide an inner emotion to the characters emotions and contrasts. For example the relationship between Prince Siegfried and his mother can remind us the one between Hamlet and Gertrude. Gender issues are overall explored in The house of Bernarda Alba (1980) since the main character is performed by a man and in Carmen where the main character seems to be much more masculine than her man. He dedicated a whole work to her: Old Children (1989). Axe written for Ana Laguna and Yvan Auzely marks Mats Ek’s choreographic farewell. Just for information Appartement is a study of the everyday life, with the common scene : cleaning "le bidet", watching television, the street, the kitchen, the cleaner vacuum gigue, and so on. Mats Ek is a leading Swedish dance and ballet choreographer, dancer and stage director. This Carmen was created for Sweden’s Cullberg Ballet in 1992 using Shchedrin’s suite. The dancer seems first to perform a movement that reaches out from his body’s centre that ends being suddenly pulled back. Mats Ek choreography has two main characteristic elements: clarity and irony. Mats Ek’s Giselle is something completely different from Perrot’s original version. All the dancers are every night all … She originated Giselle character, the Swan Queen in Swan Lake and the protagonist in Carmen. London and New York 2011. or. Postmodernism is a movement that rebels against traditional ideas. “Over ten years ago I saw it(Giselle) for the first time- with Makarova. All of his choreographies have a direct and immediate message, really easy to understand by the audience. Zweedser dan Mats Ek bestaat niet. They meet and mingle tenderly and violently in two pas de deux. There are also some works that seem not to follow a precise storyline like Smoke (1995) or Appartement (1999) but they can’t be described as abstract works because oh their strong content. Mats is one of the founders of PROGIRA®. 99 Upper Ground London SE1 9PP. They lie fallow or else are powered over” (Ek, Mats interviewed by Tegeder, Ulrich. Mats Ek’s lifelong work—he is now nearing 70—started with theatre and contemporary or experimental animation theatre in a small venue with modest possibilities but great freedom. you Mats Ek is a very innovative choreographer of his time, the post modern era. The Prince encounters androgynous creatures, swans that waddle through the ground rather than the graceful water creatures that we know from Petipa/Ivanov.” (http://www.theballetbag.com/2012/07/13/mats-ek-biography/), “The teenager Princess Aurora falls in love with “the wrong guy” and ends up in a drug-induced coma. Fifty Contemporary Choreographers, Routledge Taylor. In Giselle in fact, Ek introduces and shows sexuality and love seen such a sexual one and not a romantic one anymore. To me, Mats is an artist in his filming and photo work in many ways. Mats Ek is not just a dancer but also an actor and puppeteer. In Giselle, for example, the only activity conducted by the women is giving birth as the eggs brought on stage by the peasant woman seem to suggest. Mats Ek may well be the best choreographer of this generation. Take Risks: “It’s more than I think I can handle,” Ek says about making a full-length ballet, “but I do it … At 17 he participated in a modern dance class, led by choreographer Donya Feuer. His mother, Birgit Cullberg, was the most important Ek’s influence. See Photos. He was the manager of the Cullberg Ballet from 1985 to 1993. He came from a very culturally active background: he was the son of a famous Swedish actor Anders Ek and the internationally recognized choreographer Birgit Cullberg, founder and director of the Cullberg Ballet, his sister Malin was an actress and his brother Niklas a dancer. Find your friends on Facebook. Mats Ek notable choreographic theater works include Don Giovanni (1999) and Andromaque (2001) at the Royal Dramatic Theatre. Log In. Mats Ek took his father’s dramatic sensibility into his mother's world, dancing in the company she led, the Cullberg Ballet, making works for it and others, and later directing the troupe himself. spam or irrelevant messages, We use cookies to give you the best experience possible. “I predict a long shelf life for this work of art, for it is no doubt that – an incredible, honest testament of the human condition. ... BYE is a film interpretation of Mats Ek's solo piece BYE for and requested by Sylvie Guillem 2011. “Mats Ek, the great Swedish choreographer, leaves the stage after 50 years of creation,” Les Echos said. (Fifty Contemporary choreographers) Another important element of Ek’s choreography, as the quote above suggests, is the dramatic construction of his works. Carabosse appears as a drug dealer and tempts Aurora into pricking her finger with the “needle”. And it's quite a disturbing journey for anyone to whom dance equates with delicate Apollonian beauty. Ek’s movement language reflect his themes and narrative intention, it goes against the original movements of the classical ballet. Giselle, completely in love with prince Albrecht who is clearly from a different social class, attempts to transgress the social rules. I like Mats Ek work especially his Giselle. Mats Ek tells the story using symbolism and parody, attempting to weave together Merrimée’s and Bizet’s versions of the heroine. “From Back to Blue” reads like a raw retrospective of Mats Ek's existential questions on life and love. A man of the theatre, Mats Ek views society and the world with a sharp gaze, resulting in writing that is precise, uncompromising and sometimes disturbing. Other Works: “Clarity is the choreographer’s key word, as opposed to what he calls the ambiguity of the conventions and the cliché of classical ballet, “clarity”, however, should not be mistaken of simplicity. He exposes complexities of gender by inverting the far more conventional, steryotiped and idealised figures of traditional ballet”, (Midgelow Vida, Reworking texts- inverting bodies, Mats Ek radically reconceived the classics, Ballet Theatre Journal). How to find us Media enquiries. Retrieved from http://www.studymoose.com/mats-ek-greatest-choreographer-essay. This is a clear example of the society oppression. Create characters, special people. #techAsia – The essential newsletter offering deep and exclusive insight into the billions being made and lost in Asia's technology sectors. It is the culmination of a lifetime of creativity and an extraordinary artistic union that has given birth to some of the most iconic contemporary dance works of the twentieth and twenty-first centuries. The psychological characterization of the role is thus enlarged; the characters’ relationships and their emotional response to the development of the action are considered in greater depth ” (Fifty Contemporary choreographers second edition), “In “Smoke” Mats Ek shows the relationship between a man and a woman (Niklas Ek and Sylvie Guillem). Mats Ek werd in 1945 geboren. His movement language is really particular, there is a fluid use of the torso in contrast with the lower part of the body that is usually bend (bend knees). Trade Secrets – Trade Secrets is the FT's must-read daily briefing on the changing face of international trade and globalisation. Zo ook in het oeuvre van Mats Ek. With his latest choreography FLUKE , premiered in November 2002 at Dansens Hus in Stockholm, Mats Ek has once again created a work for the Cullberg Ballet, this time in cooperation with the Pork Quartet. His first theatrical working experience began as the producer and then director of the Puppet Theatre in Stockholm. It's very special. Accessed on the 13th of April 2013. He has been active in the broadcasting industry since 1989 when he joined Teracom, the national broadcast network provider in Sweden. Rich and poor in Giselle. “The attention to psychological characterization, the sensitive portrayal of human feelings, the juxtaposition of strong images and humorous episodes can be seen as typical attributes of both Cullberg’s and Ek’s creations”, (Poesio,Giannandrea. En zoals bekend, in het Scandinavië der wouden, muggenzwermen, dronkelappen en noorderlicht worden monsterlijke trollen en hitsige heksen in een strak, sober design beteugeld, met de eerlijkheid van Marimekko en Aalto. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are also offered here. Mats Ek - Greatest Choreographer. Mats Ek is not just a dancer but also an actor and puppeteer. Mats Ek choreography is a totally new and innovative choreography. Health permitting, many continue to work well into old age, if only to oversee revivals of their works. Ek is not here to entertain us and transport us to a magical land (although he does both nonetheless). I enjoyed so much writing this essay. Accessed on 8th of April 2013. In this essay I will present one of the greatest choreographers of the 20th century, Mats Ek. He is a master of the use of stage space and his dancers are superb. He has also created his own work and most of the time his pieces have to do a lot with humor. Accessed on the 12th of April 2013 Midgelow, Vida, Reworking texts-inverting bodies, Dancer Theatre Journal 15(2) 1999. p 4-7. MyFT – track the topics most important to you, FT Weekend – full access to the weekend content, Mobile & Tablet Apps – download to read on the go, Gift Article – share up to 10 articles a month with family, friends and colleagues. He leaves behind the conventions of gendered vocabularies and the structured hierarchy of the pas de deux in favour of more diverse representations”. He asks us to think with him, to enter the dance fully, body, soul and mind, much like one does when one reads a good novel- we are invited and moved to relate fully. The messages arrive immediately to the audience, we do not need any explications or help to understand what the choreographer wants to say we just need to seat and enjoy the performance. White and black in Soweto (1977). All of his works are still narrative works but the storyline of all the ballets is updated. He is 70. Mats Ek. Set to Beethoven's last piano sonata, Opus 111, in a recording by Ivo Pogorelich, the stage performance of BYE has been heralded as a "masterpiece" by Frankfurter Allgemeine Zeitung. Medlemsrekryterare at Hyresgästföreningen Aros Gävle. “Political, social, racial and sexual concerns informed Ek’s first three creations, Kalfaktorn (1976), St George and the Dragon (1976) and Soweto (1977); psychological themes and gender issues played a part in both House of Bernarda Alba (1978) and Antigone (1979) long before Giselle and Swan Lake” (Fifty Contemporary choreographers second edition). Ek instead tries “to cross the boundaries of given gender-specific movements, finding that really interesting” (Ek,Mats in Jensen,Gunilla, Intervista a Mats Ek, Reggio Emilia Danza: Edizioni del teatro municipale Valli,2002, p.38), “The movement language usefully opens up gender binaries leading to much more contemporary representations of man and woman. Giselle is banished from her social class and trapped into the mental hospital. Mats Ek was born in Malmo, Sweden on the 18 of April 1945. Get access to the FT's daily newsletter with guided explanation of and links to the day's top stories written by FT editors. His work is innovative and cutting edge and at the same time, full of humanity and humor. Mats Ek, Director: Gammal och dörr. Mats Ek’s experience in different art form really helped to develop his choreography. Irreverently Classical: Mats Ek stages Sleeping Beautywith the Hamburg Ballet. Maggie Foyer. Profile: Mats Ek is the son of Anders Ek, one of Sweden’s most celebrated actors, and Birgit Cullberg, the choreographer and artistic director for the Cullberg Ballet Company.He was born in Malmö in 1945, and began a short period of dance studies in 1962 with Donya Feuer in Stockholm; in addition, he later took theatre studies in Norrköping. Ek is, once again, fighting against traditions; he rebels against the traditional way of characterizing by stylized movements man and woman on stage. In 1965 he became a full time drama student at the Marie College but few years later he returned to dance training at the Stockholm Ballet Academy. Actress Malin Ek is his twin sister and Dancer/Actor Niklas Ek is his older brother. Since the 1970s, Swedish choreographer Mats Ek has brought his instantly recognizable brand of modern expressionism, with its deep pliés and crude theatricality, to ballet. This work is to Romantic ballet what Don Juan is to classical theatre or Carmen to French opera. “A fairytale is a sweet little cottage, but on the door you can read: Explosive!” Mats Ek. At Aurora’s birth the fairies are maternity nurses and later they are pop culture characters out of a TV show, while the Prince is a spectator.”, “Ek has made an astounding break from the Sleeping Beauty we know and love, leaving not a single stone of Petipa’s edifice standing, renouncing all the choreographic gems cut by the imperial jeweller of the Tsarist ballet”, (Vollmer, Horst. She Was Black Mats Ek, 1995/2000 Contact us. Mats Ek did well choosing the theatre for his farewell programme. He has been involved in system standardisation of DAB within the Eureka-147 project as well as in the standardisation of the DVB-T system, in particular in the design of the OFDM based RF-system. The character of the young Giselle is completely flipped over; she is not the sixteen years old innocent girl but a passionate and sexual active woman. Mats Ek on IMDb: Awards, nominations, and wins. Mats Ek was born in Malmo Sweden in 1945, son of the choreographer Brigit Cullberg and Ander Ek, a famous Swedish actor. “The investigation of narrative alleys,epic paths and metaphorical tunnels is what provides the primary stimulus for re-telling those stories by creating new dances” (Giannandrea Poesio, Dancing Times, October 2003 page 23). “Ek’s choreography inverts the traditional language of the ballet, he eschews ballet codes. Ek was born in Mälmo (Sweden) on the 18 th of April 1945 to Birgit Cullberg, dancer, choreographer and founder of Cullberg Ballet, and Anders Ek (one of Ingmar Bergman’s favourite actors). Works at TyMar AB. Ek seems to be strongly linked to … Essay on Mats Ek 913 Words | 4 Pages. In Ek’s eyes dance is movement and movement is dance, it doesn’t matter where the movement came from as long as it expresses what he wants it to express. Moral Money – Your trusted source for news and analysis about socially responsible business, sustainable finance and ESG trends. Mats Ek’s Carmen. There are lot of common themes between the two of them but different stylistic characteristics. Conclusion Ek does not just present dramatic situations to the audience but he creates all around an atmosphere of irony. Mats Ek, born April 18, 1945, in St. Peters Township in Malm, is a Swedish choreographer and director. Facebook; Twitter; YouTube; Already then, I thought the traditional story of Giselle contains many hidden possibilities which are not recognized. As Mats Ek does in this piece, the pedestrian movements can be used to take a ... it works in the context” (Glentzer). Ek seems to be strongly linked to the famous dramatis William Shakespeare. Essay on Mats Ek 913 Words | 4 Pages. He is the son of the famous choreographer Birgit Cullberg and actor Anders Ek. Brought to you weekly from the FT and Nikkei. By continuing we’ll assume you’re on board with our cookie policy, Don’t waste Your Time Searching For a Sample, Compare and Contrast of Classical Ballet and Modern Dance, What Makes a Social Movement Successful : Leadership, Martha Bremser, Lorna Sanders. Actress Malin Ek is his twin sister and Dancer/Actor Niklas Ek is his older brother. Mats Ek & Norrdans Dansenshus, Stockholm; May 21, 2015. Underhåll och förbättring , tekniska lösningar. Major 20th century choreographer Mats Ek returns to the Paris Opera with two eagerly awaited new creations, Boléro set to Maurice Ravel’s mythical score and Another Place conceived on Franz Liszt’s Sonata in B minor. MATS Ek’s Bye is the crowd-pleasing work in this rich, concentrated evening of dance but William Forsythe’s Rearray is where the real nourishment is. Energy Source – From scoops on Saudi Aramco to punchy columns on Opec, Energy Source delivers the FT's best in class energy journalism, forward-thinking analysis and insider intelligence twice a week. The Dancing Times, October 2003. p 22. The group, a highly expressive string quartet plus drummer and sampler, uses precisely that “fusion” of classical, jazz, hard rock, rap, hiphop and pop which is characteristic of Mats Ek’s choreography. Works. With the new version of the traditional ballets in fact Ek wants to go straight to the point in the shortest time possible opposing his works to the articulate and often ambiguous traditional ballets. 2013. On the contrary, Jose as the narrator, wants what a woman usually desires: a ring on his finger, a family, some simple wholesome happiness. Health permitting, many continue to work well into old age, if only to oversee revivals of their works. But do you know about Mats Ek? He went on to produce plays and even worked with the legendary … The most famous ballets he reinterpreted are traditional ballets such as Giselle (1982), Swan Lake (1987) and Sleeping Beauty (1996). August 1997,p 993. Sign Up. In this work Ek introduces the social theme of class differentiation. Dance, Dancer, SCAN-TT-00936509 People named Mats Ek. He left it in 1993 being replaced from Lidstrom and Wennergren Juras. Get a verified writer to help you with Mats Ek – Greatest Choreographer, Are You on a Short Deadline? In addition to FT content, our editors select key stories from around the web that you shouldn't miss. She was really gripped me. See Photos. Mats Ek. Archive catalogue: DS/UK/1856. His alternative storylines are pure reality not fairytales, he is not interested in abstract concepts, he change the conventional viewpoint putting on stage actual themes. Biography: Choreographer. At 17 he participated in a modern dance class, led by choreographer Donya Feuer. Mats Ek was 21 years old when he created his first stage work, Kagekiyo, a Noh play which was performed at the Marionetteatern, Stockholm’s puppet theatre. The mechanical doll’s endless movements represent the white people’ prejudices against the blacks. Work. Season 18/19. info[ATSIGN]rambert.org.uk +44 (0) 20 8630 0600. Get ready for the new politics of resentment in the office, Ethiopia’s human rights chief: ‘It’s not an easy ride for us. Mats Ek in a Nutshell. In 1995, Mats Ek, put on two small works for Sylvie Guillem, in the «cine-dance» genre: «Smoke» and «The Wet Woman». “The character of Giselle would have never been born without Ana Laguna” (Giannandrea Poesio), Ana Laguna, Mikhail Baryshnikov and Mats Ek He is a choreographer simple and in its clarity and spontaneity we recognized his greatness. Mats Ek Cullberg Ballet / revisionist Giselle (1945- ) The young Mats Ek did not particularly want to be a dancer. Mats Ek is an active man of his time fully absorbed by the rebellion that was happening those years. Log in or sign up for Facebook to connect with friends, family and people you know. In both Giselle and Swan Lake there lies beneath an accessible, straightforward dramatic construction an intricate amalgam os social, political, cultural and literary references”. I think Mats Ek is an absolute genius, his choreographies are brilliant original and innovative. This new ideas incite him to rebel against the traditional ballet classics radically modifying them and giving his own interpretation of them. Let a Professional Expert Help You, Ask a professional expert to help you with your text, Give us your email and we'll send you the essay you need, By clicking Send Me The Sample you agree to the terms and conditions of our service. Twice Weekly. He is the son of the famous choreographer Birgit Cullberg and actor Anders Ek. We'll not send Students looking for free, top-notch essay and term paper samples on various topics. Articles: Pesio, Giannandrea. A clear example is given by the swans in Swan Lake. (2016, Mar 06). 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Mats Ek, then a young choreographer, takes on Giselle, monstre sacre of Romantic ballet. Mats Ek is not just a dancer but also an actor and puppeteer. Instead, he took drama classes at Marieborg College in Norrkoping, Sweden, in 1965. But his choreography will soon disappear from repertoires worldwide: Ek officially retired in January, and has also decided to withdraw his works. Mats Ek was 21 years old when he created his first stage work, Kagekiyo, a Noh play which was performed at the Marionetteatern, Stockholm’s puppet theatre. Mats Ek's Carmen changes partners as she likes, since she works in a tobacco factory and is independent. The dancers make a very good use of the floor. (http://dansportalen.se/111/-fler-artiklar/nyhetsarkiv/1-23-2010-lena-andren-). The Cullberg Ballet performs a season of Mats Ek ballets at the Edinburgh Playhouse (0870 606 3424) from today till September 2. Another great dancer who inspired him was Sylvie Guilleme. Mats Ek presents his last ever piece of choreography tonight until 10 January in Paris at the Théâtre des Champs-Élysées on the first stop of his farewell tour. I'm sure you guys know about Jiří Kylián—the Czech choreographer who has almost single-handedly defined contemporary dance, and whose work is Nederlands Dans Theater's calling card. Scoreboard – The must-read weekly briefing on the business of sport that goes deep on the key financial issues and exclusive scoops affecting clubs, franchises, competitions, owners, investors and more. Rowan Rossi Mats Ek essay Mats Ek is a world renowned choreographer, known for his works adapting classic ballets into ground breaking, game changing modern works of art. Giselle is banished because mentally disable and considered unable to find her place into the society again. October 1979 to July 2002. Ek gives much more importance to the body weight so his steps look more grounded and heavy. Accessed on the 12th of April 2013 Jensen Gunilla, Mats Ek and the Cullberg Ballet, the Dancing Times. During the season 1980-1981, he was associated with the Nederland Dans Theater as dancer as well as choreographer. I love his reinterpretations of the three ballet classics, and his choreographic style. Mats Ek provides us with “a way of touching the untouchable”. They are repetitive movements and they symbolized the unchangeable ideas of the whites about the black people. Off-road: Why aren’t young people driving? Mats Ek is a leading Swedish dance and ballet choreographer, dancer and stage director. Fifty Contemporary Choreographers), (https://birgit+cullberg&oq=birgit+cullberg&gs), Ana Laguna, Ek’s wife, is the inspiring muse of the choreographer. Mats Ek in well known for his revisionist versions of the classic ballets. The smoke which comes from their clothes and mouths expresses their communication.”, Family relationships (parent/ child) in Swan Lake as Prince Siegfried are given an oedipal complex or in Sleeping Beauty when Aurora turns against her parents. Mats Ek. These comic episodes are introduced with great ability every time a dramatic situation reaches its climax. He learned a lot from her while he was sharing with her the artistic leadership of the Cullberg Ballet. Ballet International,5,1983:19). It is based on contemporary techniques. “In reworking ballet classics, Ek’s creed is to render the characters alive, providing a clear description of their inner emotions and contrasts. The door you can read: Explosive! ” mats Ek, the Swan Queen in Swan Lake to! Life as expressed in their respective solos and immediate message, really easy understand... Manager of the choreographer ’ s influence: old Children ( 1989 ) to you from. 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To prefer some movements to be performed by dancers from the Semperoper Ballett Dresden (... From 1985 to 1993 of creation, ” Les Echos said 1945, son of society. Work especially his Giselle Maurice Béjart and Jiří Kylián every time a dramatic situation its... Choosing the theatre for his farewell programme writer to help you with mats Ek, the great Swedish,... A whole work to her: old Children ( 1989 ) main characteristic:! Characteristic elements: clarity and spontaneity we recognized his greatness in well known his... Famous choreographer Birgit Cullberg and actor Anders Ek strongly linked to the famous William.
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