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Ariadne, the architect, uses a chess piece. When Mal refused to return to reality, Cobb used a form of inception by reactivating her totem, an object dreamers use to distinguish dreams from reality. Cobb mentions that Ariadne needs a totem, and Arthur shows his. When Ariadne calls totems an "elegant solution for keeping track of reality" and asks Cobb if it was his idea, he replies, "No . Inception is a great example of a film that doesn’t follow a set of norms. Inception is a movie about dreams—shared dreams specifically. The world of Inception is populated by small objects called totems, carried around by dream-sharers to let them know definitively they are not dreaming.Totems are unique, hand-crafted objects that hold a special significance for their owners, such as Ariadne's golden bishop, or Mal's spinning top. Ariadne reaches to look and Arthur pulls back, stating that only he knows the true balance of his totem, implying that he shouldn't be giving out information about his totem. After much thought and consideration here is the three act structure to the film: Act 1 … The crew in the movie is a movie crew. He carries a totem … The protagonist, Cobb, is an "extractor" who can share your dreams and steal your ideas. In summary, Inception is a movie that performs an inception on the viewer. Ariadne, Theseus, and the Minotaur (allegory) In Greek mythology, Ariadne was a Cretan princess who helped the prince Theseus navigate her father Minos's labyrinth and kill the Minotaur. This uneven weight distribution would lead to the die tending to show one particular face more often. When Ariadne had her second dreamshare with Cobb, she gets stabbed by Mal. Ariadne's totem seems too simplistic for that purpose... a chess piece (bishop) that she knocks over. Arthur's is pretty simple really, it's a loaded die, i.e. And the idea that the movie is trying to incept, is that inception is possible in our own world, trough really good film making. There are two totems in "Inception". Cobb tells Ariadne that he and Mal entered limbo while experimenting with the dream-sharing technology. . The three act structure is hard to quantify as there are many inciting incidents and plot points. the weight of one of the faces of the die has been altered. The totems are, as Ariadne remarks, an elegant way to keep each dream-sharing person grounded in their own reality, and it's easy to see why this practice was adopted. The final shot shows Cobb's totem, in mid-spin, beginning to wobble. Sedated for five hours of real time, they spent fifty years in a dream world. Leonardo DiCaprio's character Cobb, uses the totem above (as is above so is below archetype) allowing him to identify dreams from reality. Totems. 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