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These dramatic scenarios—romantic, violent, ironic—feature dancers in a living still life, except that she keeps the performers' twitches, shifts in balance, and facial tics until they finally break their poses and move on … Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Originally part of a dance performance choreographed by Rainer. Rainer is a dancer, choreographer and filmmaker who emerged in the 1960s as an experimental feminist artist. Page 8 “Rumbles”: Update on Rainer’s activities and a photo of Rainer. 1974 FILM ABOUT A WOMAN WHO... 1976 KRISTINA TALKING PICTURES. Choreographer and filmmaker Yvonne Rainer trained with Martha Graham and Merce Cunningham as a dancer, and was a co-founding member of the Judson Dance Theater in 1962. . Lives of performers — Rainer, Yvonne — United States — 1972; Film about a woman who... — Rainer, Yvonne — United States — 1974; Kristina talking pictures — Rainer, Yvonne — United States — 1976; Journeys from Berlin/1971 — Rainer, Yvonne — United States; Germany; Great Britain — 1980; The man who envied women — Rainer, Yvonne — United States — 1985 Please subscribe or login to access full text content. : A Schizophrenic Search for Resistance within the Screened Spectacles of a Winin’ Fatale, A Rhizomatic Revolution? Directed by Yvonne Rainer. For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us. Rainer is een danser, choreograaf en filmmaker die in de jaren 60 opkwam als avant-gardistische feministische kunstenaar. Yvonne Rainer. By the time she made MURDER and murder, the film cost around $300,000, a paltry sum by today’s mainstream standards, but … Yvonne Rainer enjoys a position in the twentieth-century canon of dance pioneers that is built more on discourse than repertoire, ideas rather than choreographic works. Yvonne Rainer, Carriage Discreteness, 1966. LIVES OF PERFORMERS is available on DVD and Blu-ray. Lives of Performers tests disciplinary categories through its preoccupation with destabilizing dominant structures of narrative, authorship, and spectatorship. Wednesday, March 11, 2015 — 12:00 am @ COUNTERPULSE. 1980 JOURNEYS FROM BERLIN/1971. En Lives of Performers(1972), su primer largometraje y el que demuestra con mayor claridad su transición de la danza al cine, este aspecto minimalista es perfectamente visible. After spending her childhood and adolescence in San Francisco, Yvonne Rainer moved to New York in 1956. Dancer, choreographer, filmmaker and writer Yvonne Rainer (born 1934, lives in New York) is widely acknowledged as having played a key role in revolutionising post-war dance, inspiring generations of performers. Por lo demás, tanto los textos como la praxis de Yvonne Rainer supusieron una influencia decisiva en las vanguardias neoyorquinas: sus películas Lives of Performers, Film About a Woman Who… (1974), Kristina Talking Pictures (1976), Journeys from Berlin/1971 (1980) y The Man Who Envied Women (1985) aúnan rigor intelectual con estructuras aparentemente narrativas y formalmente complejas. 1. All Rights Reserved. Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers. The film depicts the real and fictional lives of a group of performers and their choreographer /director, ending with a series of tableaux vivants based on G. W. Pabst’s Sinopsis: Una examinación rigurosa y reveladora de los conflictos románticos, "Lives of Performers" examina el dilema de un hombre que no puede elegir entre dos mujeres y hace sufrir a ambas. And a film called Lives of Performers. Serious involvement in dance and choreography ensued when I started studying with Martha Graham and … Valda Setterfield. 1985 THE MAN WHO ENVIED WOMEN. Yvonne Rainer Director/a; ... at that time, my own heterosexual experience. Yvonne Rainer, Lives of Performers, 1972, 16 mm, black-and-white, sound, 90 minutes. Escribe tu opinión para que el resto de los usuarios la pueda leer. On Wednesday, July 24, 2019 at 7:30pm, Nightletter, a new venue for experimental and political cinema, will present Yvonne Rainer’s Lives of Performers + Trio A with a special introduction by Philadelphia Dance Projects’ Terry Fox. Yvonne Rainer, Director: Privilege. Choreography: Yvonne Rainer Choreographic assistant: Pat Catterson Introduced by Terry Fox, director of Philadelphia Dance Projects. . Yvonne Rainer was born on November 24, 1934 in San Francisco, California, USA. . Yvonne Rainer. : Popular Dancing, YouTubing, and Exchange in Screendance, Resurrecting the Future: Body, Image, and Technology in the Work of Loïe Fuller, Bill Robinson and Shirley Temple Tap Past Jim Crow. Premier film de la danseuse et chorégraphe Yvonne Rainer, cette chronique des petits marivaudages auxquels se livrent les membres d'une troupe de danseurs s'appuie sur des passages de journaux intimes ; elle est marquée par l'ambivalence et l'autoanalyse. Rainer achieves this by mobilizing an aesthetics of difference that owes much to the theories of John Cage and is characterized by openness, decentering, random orders, collage, contingency, multiplicity, nonhierarchical orders, and a complication of the art/life divide. Lives of Performers (1972) - IMDb. Lives of Performers (1972) 90 min. AUTOBIOGRAPHICAL STATEMENT "In 1956 I came to New York to study acting. Keywords: Yvonne Rainer, Lives of Performers, mid-twentieth-century New York, screendance, interdisciplinary art, John Cage, narrative, collage, aesthetics of difference. Includes mention of performances at Hofstra College and the Whitney Museum (April 21, 1972), a description of the pieces Grand Union Dreams (1971) and Inner Appearances. Yvonne Rainer, Lives of Performers (1972). She trained as a modern dancer in New York and began to choreograph her own work in 1960. Lives of Performers was the beginning of that kind of investigation. (1972–4) DOI link for The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . Rainer says the two ideas that frame Lives of Performers are “dance and emotional life”, (p. 177) and the film does revolve around both the on and off-stage, fictional and non-fictional activities of a group of dancer/performers. You could not be signed in, please check and try again. © Oxford University Press, 2018. Sus filmes Lives of Performers(1972), Film 1990 PRIVILEGE. Yvonne Rainer’s debut feature after several short films and multimedia dance works, Lives of Performers marked her definitive transition from performance to filmmaking. The Oxford Handbook of Screendance Studies, Loïe Fuller’s Serpentines and Poetics of Self-Abnegation in the Era of Electrotechnics, Selective Histories: Moving Image from the Late Nineteenth Century to the Early Twenty-First, Moto-Bio-Cine-Event: Constructions of Expressive Movement in Soviet Avant-Garde Film, Sensory Screens, Digitized Desires: Dancing Rasa from Bombay Cinema to Reality TV, Exposed to Time: Cross-Histories of Human Motion Visualization from Chrono- to Dynamophotography, In the Blink of an Eye: Norman McLaren Between Dance and Animation, An Interdisciplinary Reading of the Film Entr’acte, Light, Shadow, Screendance: Catherine Galasso’s Bring on the Lumière!, The Best Dance Is the Way People Die in Movies (or Gestures Toward a New Definition of “Screendance”), Kinesthetic Empathy: Conditions for Viewing, Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance, Screendance as Enactment in Maya Deren’s At Land: Enactive, Embodied, and Neurocinematic Considerations, Corporeal Creations in Experimental Screendance: Resisting Sociopolitical Constructions of the Body, Dancing in the City: Screens, Landscape, and Civic Phenomenology in the Screendance of Terrance Houle. Yvonne Rainer Director/a; ... at that time, my own heterosexual experience. Rainer's first feature-length film incorporates rehearsal footage from Performance (1972) and photographs from Grand Union Dreams (1971). Directed by Yvonne Rainer. Yvonne Rainer, Part Two: “Lives of Performers” THE IMMEDIATE CONSEQUENCE OF Yvonne Rainer’s Indian voyage was Grand Union Dreams , performed in the very large and featureless gymnasium space of the Emmanuel Midtown YMHA in May, 1971. Read and write album reviews for Lives of Performers (1972) - Yvonne Rainer on AllMovie She returned to dance in 2000, producing new works commissioned by the Baryshnikov Dance Foundation, the Performa Biennial, and The Museum of Modern Art. | MoMA LIVE - YouTube. Who Is the Choreographer? In 2000, Rainer returned to dance and choreography. Yvonne Rainer – Lives of Performers, 1972, 90mins / 1hr, 30mins. More about the exhibition “Lives of Performers“, 25 October 2014 – 8 February 2015, La Ferme du Buisson Jan 13, 2015 - grupaok: “ Yvonne Rainer, Lives of Performers, 1972 — Babette Mangold ” Her early films do not follow narrative conventions; instead, Rainer's fi… Various “intestinal demons” struck Rainer throughout the second half of the 1960s, resulting in lengthy episodes of heavy medication and hospital stays. Originally part of a dance performance choreographed by Rainer. ... Live of performers - Yvonne Rainer. : Alternate Approaches to Choreography through Editing, Real for Reel: Extending Corporeal Frontiers through Screendance Editing, Scriptwriting Dance: The First Point of Integration for a Dance Screen Work, Transcending Dimensions: Physical and Virtual Dancing Bodies, Can Rihanna Have Her Cake and Eat It Too? Her recent publications include Dancefilm: Choreography and the Moving Image (2011) and Bodies of Thought: 12 Australian Choreographers, co-edited with Virginia Baxter (2014). She sought to blur the lines between performers and non-performers, and incorporated gestures and pedestrian movements, as well as classical dance steps and theatricality into her choreography. Rainer sometimes included filmed sequences in her dances, and in 1972 she began to turn her attention to directing feature-length films. Marking the beginning of her gradual transition from live dance to filmmaking, Yvonne Rainer directed the feature-length Lives of Performers in 1972 after a psychologically debilitating 1971. Yvonne Rainer: Lives of Performers Live performance by Affinity Project. Lives of Performers is een onderzoek over romantische liefde, de keuze die een man tussen twee vrouwen moet maken en … Yvonne Rainer, Live Performance: "The Concept of Dust, or How do you look when....?" Seven films by Yvonne Rainer on DVD: LIVES OF PERFORMERS (1972)FILM ABOUT A WOMAN WHO... (1974)KRISTINA TALKING PICTURES (1976)JOURNEYS FROM BERLIN/1971 (1979)THE MAN WHO ENVIED WOMEN (1985)PRIVILEGE (1990)MURDER AND MURDER (1996)All films are available separately by clicking on the titles above.TO PURCHASE THIS COLLECTION FOR AN EDUCATIONAL INSTITUTION … Her repetitive actions and monotone dynamics forms the art of pedestrianism which interests me the most as she choreographs not to perform but to just do it. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. Join us for an evening with filmmaker, choreographer, and poet Yvonne Rainer and a rare screening of her acclaimed first feature, Lives of Performers, shown from a pristine new print. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras. Being the industry's most influential practitioner, Yvonne Rainer produced choreographies and films that represented the lives of performers, feminism, ageing, racial identity, terrorism, menopause and lesbianism. Lives of Performers is Yvonne Rainer's first feature film. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription. Introduced by Terry Fox, director of Philadelphia Dance Projects. Photo by Peter Moore © Barbara Moore/Licensed by VAGA, NY. Lives […] Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice). Política de privacidad / condiciones de uso. A stark and revealing examination of romantic alliances, Lives of Performers examines the dilemma of a man who can’t choose between two women and makes them both suffer. The feminist tone of her films, characterized by an interest in how the female body was being viewed or objectified by male directors, would have resonated with emerging feminist film theory of the time period, in seminal texts like Laura Mulvey's Visual Pleasure and Narrative Cinemabecoming very influential. On Wednesday, July 24, 2019 at 7:30pm, Nightletter, a new venue for experimental and political cinema, will present Yvonne Rainer’s Lives of Performers + Trio A with a special introduction by Philadelphia Dance Projects’ Terry Fox. Posted by | Jessica Bardsley | Posted on | April 9, 2012 . She is a director and editor, known for Privilege (1990), MURDER and murder (1996) and Journeys from Berlin/1971 (1980). PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). This chapter reconsiders the legacy of Rainer by locating the substance of her innovations between several art forms, including dance and film, and taking her “medial” work Lives of Performers (1972) as its case study. : An “Undisciplined” Encounter with the Avant-Garde, From Oakland Turfs to Harlem’s Shake: Hood Dance on YouTube and Viral Antiblackness, The Virtual Body Is Real! “BY 1972 my own Sturm and Drang had catapulted me into a new terrain of representation,” Yvonne Rainer writes in her felicitously titled memoir, Feelings Are Facts: A Life (2006). De la chorégraphie au cinéma“, 04 – 30 Novembre 2014, Jeu de Paume. Film Format: 16mm / DVD, B&W A stark and revealing examination of romantic alliances, Lives of Performers examines the dilemma of a man who can’t choose between two women and makes them both suffer. 1996 MURDER and murder. Valda Setterfield. Lives of Performers was the beginning of that kind of investigation. presented in association with … A stark and revealing examination of romantic alliances, "Lives of Performers" examines the dilemma of a man who can't choose … Rainer’s first feature-length film incorporates rehearsal footage from Performance (1972) and photographs from Grand Union Dreams (1971). The film depicts the real and fictional lives of a group of performers and their choreographer /director, ending with a series of tableaux vivants based on G. W. Pabst’s In 1972, Rainer began making films, producing seven experimental features, including Lives of Performers (1972), Privilege (1990), and MURDER and murder (1996). Articles on Yvonne Rainer… 80 Turk Street San Francisco, CA 94102 – MAP 415.626.2060. 1972 LIVES OF PERFORMERS. The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . Read and write album reviews for Lives of Performers (1972) - Yvonne Rainer on AllMovie In the 1970s, she turned her attention fully to filmmaking, directing Lives of Performers (1972), Journeys from Berlin/1971 (1980), and Privilege (1990). Lives of Performers begins, fittingly, with a rehearsal. Título original: Lives of Performers. In 1972, Rainer began making films, producing seven experimental features, including Lives of Performers (1972), Privilege (1990), and MURDER and murder (1996). Yvonne Rainer, The Lives of Performers, 1972 (Film still) Courtesy of Zeitgeist Films. April 12, 6:00 p.m. | Yvonne Rainer in person! The film depicts the real and fictional lives of a group of performers and their choreographer/director, ending with a series of tableaux vivants based on G. W. Pabst's 1929 film Pandora's Box. Courtesy Zeitgeist Films. She was one of the founders of the Judson Dance Theater in 1962, a movement that proved to be a vital force in modern dance in the following decades. W hen Yvonne Rainer made the switch from choreographer to film-maker she had no intention of abandoning her role as a provocateur. Although she had integrated projected images into her performance environments since the mid 1960s, Rainer wrote and directed her first medium length film, Lives of Performers, in 1972. Cinematographer Babette Mangolte’s roving camera arcs across the bodies of dancers as they commit a pattern of movement to memory, and this image—of a work in the process of becoming—serves as an emblem of sorts for Rainer’s film, which stages a familiar story of infatuation and uncertain feeling in an unorthodox fashion. Back in 1972, Rainer was able to cover the entire production of Lives of Performers, including wages for the entire crew, with a $10,000 Guggenheim grant. Erin Brannigan (PhD) is Senior Lecturer in Dance at the University of New South Wales and works in the fields of dance and film as an academic and curator. W hen Yvonne Rainer made the switch from choreographer to film-maker she had no intention of abandoning her role as a provocateur. More about “The Yvonne Rainer Project. But also, the film was influenced by the aesthetics and structures of experimental film as that was taking place at the same time. With James Barth, John Erdman, Epp Kotkas, Yvonne Rainer. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Originally part of a dance performance choreographed by Rainer.We distribute Yvonne Rainer's films worldwide. Yvonne Rainer: Lives of Performers. She sought to blur the lines between performers and non-performers, and incorporated gestures and pedestrian movements, as well as classical dance steps and theatricality into her choreography. Between 1959 and 1960, she studied dance at … Raven Row. Cinematographer Babette Mangolte’s roving camera arcs across the bodies of dancers as they commit a pattern of movement to memory, and this image—of a work in the process of becoming—serves as an emblem of sorts for Rainer’s film, which stages a familiar story of infatuation and uncertain feeling in an unorthodox fashion. Lives of Performers begins, fittingly, with a rehearsal. Lives of Performers is Yvonne Rainers eerste speelfilm. Yvonne Rainer was born in San Francisco in 1934. FILM SECTION MUSEUM OF ART CARNEGIE INSTITUTE COLLECTION SCREENINGS TUESDAY, APRIL 4, 1978 8:00 P.M. A FILM BY YVONNE RAINER LIVES OF THE PERFORMERS (1972) 90 min., black and white, sound. 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