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McGregor's first large-scale work as the Royal Ballet's resident choreographer is a collaboration with the artist Julian Opie; this first night was filmed for BBC2. Wayne McGregor speaks body language. They are also using predictive technology that can analyse McGregor’s steps, predict what he might do next and then suggest something else. Moritz Junge's costume designs are simple, putting the dancers in plain tops and trunks. It is a nexus of partners who explore movement, artistry, thought and partnership. The dancers are principals Edward Watson and Marianela Nuñez performing the pas de deux from Infra, a ballet by choreographer Wayne McGregor. Lucy Carter's light design helps to define episodes and numbers, framing the dances in squares and shafts of light. It makes for a less finished work than his recent Chroma, with some rough edges and weaker patches. He is the Artistic Director of Studio Wayne McGregor and Resident Choreographer of The Royal Ballet. “It’s really made me think about mortality and immortality,” he says. T here’s no one quite like Wayne McGregor. The studios themselves are a proposition of sorts. Describe the lighting in the fourth section. Everybody around me said: ‘Don’t do it, what are you going to do with that information?’” But he did, and didn’t have a moment’s pause until he was just about to open the results. More couples arrive, until the stage is teeming with duets. Wayne McGregor is renowned for his groundbreaking choreography and collaborations. Woolf Works was awarded Best New Dance Production and Ferri won Outstanding Achievement in Dance, Bill Cooper / Royal Opera House / ArenaPAL. He encourages young choreographers to select and explore something that truly inspires them and not to worry about what others think. 19 of 28. Audrey Niffenegger and Wayne McGregor discussing Raven Girl. Wayne McGregor is Professor of Choreography at Trinity Laban Conservatoire of Music and Dance and has Honorary Doctorates from Plymouth University, University of Leeds, University of Chester, and UAL, and is part of the Circle of Cultural Fellows at King’s College London.In 2017 he was awarded an Honorary Fellowship of the British Science Association. Johan Kobborg is brilliantly creepy in the cartoon violence of The Lesson, twitching with repression and madness. You can see McGregor trying things that are new for him, new for his dancers. The world premiere of Autobiography takes place at Sadler’s Wells from 4 – 7 October 2017, visit sadlerswells.com to book. Visitors will be able to watch the spheres from a distance — “That in itself is beautiful, like when you watch a flock of birds change direction” — or walk in among them, where “you can have an interactivity with these flying objects, hopefully in a really beautiful, poetic way”. Want to bookmark your favourite articles and stories to read or reference later? The company moved in three months ago but instead of this being a haven to hide away, the aim is for it to be somewhere to invite people in, whether that’s McGregor’s many collaborators (the sculptor Edmund de Waal was here yesterday), other dance companies who are invited to use the rehearsal space for free in return for developing new outreach projects or people outside of dance. Find your bookmarks in your Independent Premium section, under my profile. “The central question of what it is to be alive and why we want to extend life. The huge complex has performance spaces from the blooming big to the intimate, and in the last year has played host to bright choreographing talents including Julie Cunningham, Michael Clark, Siobhan Davies, and Ballet Black. The dancers are restricted to the rectangles - almost as if they are confined to seperate rooms. This triple bill opens with Glen Tetley's Voluntaries and Flemming Flindt's The Lesson. Wayne McGregor's new ballet builds on the great success of his previous work Chroma. There are already projects afoot with neighbours here in the park at BT Sport and UCL’s Bartlett School of Architecture. His dancers look delighted by the challenge. Infra is an episodic work, following Richter's music in solos, group dances, dramatic and pure dance moments. how to stay organised, how to handle difficult situations with colleagues, how to work well in a team). I’m the sort of person who likes to know. It presents all forms of contemporary dance and helps to develop original work in both its main house and the smaller Lilian Baylis Studio. Roberta Marquez makes his doomed pupil first sugary, then desolate. “They fly very softly and elegantly, and they have algorithms based on swarming and flocking,” he explains. 6 rectangles of white light at mid-intensity line up downstage from stage left to stage right. (BBC Documentary) (www.randomdance.org) In an interview by Sarah Crompton for The Telegraph, Wayne McGregor talks to her about the process of his collaboration for Infra with Julian Opie, McGregor explains: “We both feel that the body can never really be abstract but … ‘ Vida Infra’, the Latin for ‘See Below’. As they stroll by, she sinks to the floor, crying. Film installations are now common in dance. It sounds great, but McGregor points out, “We’re still in test phase. Studio Wayne McGregor is the creative engine for choreographer and director Wayne McGregor CBE, and the home of his life-long enquiry into thinking through and with the body. The current Islington building is the sixth on the site since it began 1683, but it was in 2005 that director Alistair Spalding said he wanted Sadler’s to do for dance what the National Theatre does for drama. “I’ve had it in my head for ages to do something with drones,” says McGregor, “although apparently we’re not allowed to call them drones, they’re autonomous flying objects.” They are not drones in the way we might imagine them but diaphanous, spherical globes, a metre-and-a-half across. Infra (2010) Bill Cooper / Royal Opera House / ArenaPAL. We’re sitting in an aluminium Airstream caravan that serves as a meeting space on the deck of his new studios in the Olympic Park, looking out towards the velodrome. During Lauren Cuthbertson's solo, people in street clothes start to cross the stage, like Opie's digital crowd made flesh. Instead, he emphasizes the importance of choosing something that inspires and charges him in some way. It’s meant to explore the feelings we hide from each other, and it speaks volumes to me … Explore . It’s also home to Resolution, the biggest UK festival for emerging dance companies. Francesca Hayward, Cesar Corrales and Wayne McGregor in rehearsal for Live from Covent Garden, 13 June 2020. They're stick people, with distinctive round Opie heads, but their body language is believably natural and easy. Ideas spill forth in the form of questions and propositions, not answers. He was appointed Royal Ballet Resident Choreographer in 2006 and has created 12 works for the Company. McGregor is going for the 21st-century equivalent. Choreographed by Wayne McGregor for the Royal Ballet Company. This abstract ballet delves beneath the surface to present human interactions. The choreographer has long been involved in collaborations with biologists and neuroscientists, investigating the heart and the brain, and he’s interested in getting to grips with the the body at a cellular level. Summarise your work experience. Laura Morera gives the pianist's gestures a kind of pedantic fury. George Lamb, Judith Mackrell and Wayne McGregor at Royal Ballet Live . Executive and artistic staff of The Royal Ballet at the 2012/13 Season launch. Not the story of a boy who grew up in Stockport with parents of Scottish farming stock. Rupert Pennefather partners strongly, while Sergei Polunin dances with bright confidence. Wayne McGregor. For Dyad 1909 Ólafur Arnalds provided the score, with design by Jane and Louise Wilson, lighting by Lucy Carter, costume design by Moritz Junge and make-up and mask design by Kabuki. We all use our body on a daily basis, and yet few of us think about our physicality the way Wayne McGregor does. When Wayne McGregor’s ballet “Infra” premiered with the Royal Ballet in 2008, a ballet created in response to the London Bombings of July 7th, 2005, its program notes contained this quote, and derived inspiration from Eliot’s poem. ... We are going to watch an interview of Wayne McGregor. His most recent production was the critically acclaimed Woolf Works inspired by the writings of Virginia Woolf. TO know who Wayne McGregor is and what Infra is. It is atmospheric, though her softest lighting blurs the dancers' expressions. Wayne McGregor 2 Company Royal ballet 3 Stimulus of dance The title infra comes from the Latin word for 'below' and the work presents a portrait of life beneath the surface of the city. Off Euston Road; theplace.org.uk, A bit of a wild card choice: Jacksons Lane is London’s most exciting venue for circus and cabaret companies. “I was pretty hyper,” he says. They're all dancing different duets, but patterns start to emerge, variations or echoes of the same steps. Interview Directory; World Guide; The Talks Interviews Dance Wayne McGregor. Infra, Wayne McGregor's world premiere for the Royal Ballet, is full of changes. 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