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At the end of Act Two as the ballroom breaks apart from the attack from enemy bombs, we see him as a manipulator of time. By Maureen Lee Lenker. A chance meeting results in a magical night for ‘Cinderella’ and her dashing young RAF pilot, together for just long enough to fall in love before being parted by the horrors of the Blitz. The family gradually come to notice that this beautiful woman is familiar to them, and they begin to realise this ‘belle of the ball’ is none other than Cinderella. You can Update Your Preferences or Unsubscribe at any time by clicking the link in the footer of any email we send you. My parents, living streets away from each other in the East End, survived the nightly onslaught, I’m happy to say, and they both loved to tell me stories from this time; the excitement, the fear and the friendships made. Save FB Tweet. Are they conscientious objectors who have refused to participate as a peaceful protest? In Act One we meet a family governed by Sybil, the dominant matriarch-figure, whose passionate dislike of Cinderella encourages the others to join in with the cruel and harsh treatment she dishes out. and the magic and colour is added through the lighting designs of Neil Austin. Sybil ostracises her step-daughter through differential treatment. Cinderella’s father noticeably forms part of this group of well-wishers, whilst we also note Sybil’s absence amongst them. At the very end, we see a young woman sitting at a table reading a book. Matthew Bourne's Cinderella is a thrilling, evocative and modern love story told in dance. What a stunning show Matthew Bourne has created in his Blitz-era Cinderella - truly a magical ride created from what was in its original 1997 form a pumpkin waiting to be transformed. In Matthew's Cinderella we see Cinderella riding off to the ball with the Angel in a Motorbike and Sidecar. I was also drawn to its cinematic quality and how this related to the films that were inspiring the project. I have since made a few small cuts and revisions, to help our story, but am proud to say that our Act Three remains completely intact, full of wonderful music that Ashton had cut from his famous version. Niven’s character, Peter Carter, an RAF Pilot, miraculously survives almost certain death when his plane crashes into the sea. It is designed very much like a silver screen classic in Black and White (and Grey!) Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. Go behind the scenes of Matthew Bourne's Cinderella and find out more about our award-winning production. These are the features of Prokofiev’s music that keep you coming back for more and which insinuate their way inside you with every listening. Do you have your own family connections? Get to know some of the creative and technical minds behind the production, explore the plot and themes of the show in more depth, and hear how the dancers find their characters. To inaugurate the new year, Matthew Bourne’s New Adventures Company returned to the Kennedy Center with a new production of his popular retelling of Cinderella. We see at the end of the show, as Cinderella and her pilot are about to board a train to begin a new life together, that Cinderella’s family have come to bid them farewell. THE EDITORIAL TEAM | We see people going about their day to day lives whilst caught up in the midst of battle, and we speculate on how this impacts their view of life. Is this the wishes of Sybil the controlling step-mother? True, it has Grand Waltzes, Fairy variations, mazurka’s and “national” dances, in the manner of Tchaikovsky’s most famous ballet works, but lurking beneath the fairy-tale magic, there beats a darker heart with real emotions and dramatic longing. So too, do we find a very different looking and acting Cinderella. We also understand the positive message of change, as we see by the end of the show, that many of the family members that had treated Cinderella so poorly have grown kinder. Pinterest. Our “Angel” is also male, rather than the usual “Fairy Godmother”, but he is based more on Cary Grant (“The Bishops Wife” 1947) and Fred Astaire, who played a dancing angel on several occasions.

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